not sure

shy, scared girl.
white / queer / mental unhealth / she-her pronouns.
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things are starting to make a bit more sense / feel more real

things are starting to make a bit more sense / feel more real

michaelswaney:

Nicole Appel, 43 Cats, 2013. Pencil on Paper

michaelswaney:

Nicole Appel, 43 Cats, 2013. Pencil on Paper

black-and-silver:

Maria Borges at Ulyana Sergeenko Haute Couture Fall Winter 2013

black-and-silver:

Maria Borges at Ulyana Sergeenko Haute Couture Fall Winter 2013

miamatangi:

DOUBLE BUBBLE TROUBLE

miamatangi:

DOUBLE BUBBLE TROUBLE

lindsaybottos:

My thesis show, Girl Work is up!

Check it out from May 15-19 in the Main Lower Gallery at MICA in Baltimore

The reception is May 18 from 1:30-5pm

owldude:

jawnski:

secret bunny conference

"the ladybugs are on to us"

owldude:

jawnski:

secret bunny conference

"the ladybugs are on to us"

owldude:

flowury:

Super secret ladybug council meeting to discuss ladybug super secrets

"we must conspire against the bunnies"

owldude:

flowury:

Super secret ladybug council meeting to discuss ladybug super secrets

"we must conspire against the bunnies"

missvoltairine:

phil-irish-artist:

By copyrighting his property as an artwork, he has prevented oil companies from drilling on it.

Peter Von Tiesenhausen has developed artworks all over his property in northern Alberta.  There’s a boat woven from sticks that is gradually being reclaimed by the land; there is a fence that he adds to each year of his life, and there are many “watching” trees, with eyes scored into their bark.

Oil interests pester him continually about drilling on his land.  His repeated rebuffing of their advances lead them to move toward arbitration.  They made it very clear that he only owned the top 6 inches of soil, and they had rights to anything underneath.  He then, off the top of his head, threatened them that he would sue damages if they disturbed his 6 inches, for the entire property is an artwork.  Any disturbance would compromise the work, and he would sue.

Immediately after that meeting, he called a lawyer (who is also an art collector) and asked if his intuitive threat would actually hold legally.  The lawyer visited, saw the scope of the work on the property, and wrote a document protecting the artwork.

The oil companies have kept their distance ever since.

This is but one example of Peter’s ability to negotiate quickly on his feet, and to find solutions that defy expectations.

I feel like this is really important. 

eighteenavenues:

Kotama Bouabane’s complete Melting Words (2007). I know there’s a photoset going around with a few of these, but I think it’s important that they’re all together, as that tells the story best.